articles

TGC202 - Elle Awards edition. 4 x 250 pcs. Artwork by Stine Regild.

Get in control. Know your shape–know your taste. Trying items on. Check for flaws. Those are four important perspectives on how to manage your wardrobe. The full article gives you more in depth guidance.

Wool garments should always be treated in the same way regardless the type of wool they are made of. So we can sum up our guide in the following five crucial points which apply just as much to regular sheep’s wool as the finest vicuña. 

Your leather shoes will inevitably crack and fall apart if you do not take proper care of them. But then again, if you make the effort, the chances are that you will be wearing them for life.  

A short interview with our founder, David Samuelsson, in Financial Times, written by Christina Ohly Evans.

Silky, light and very absorbent. Long-lasting and deeply nurturing. Light and rich at the same time. Could that possibly work? Tangent GC set out to join these two seemingly incompatible qualities together.

Introducing a new leather care balm, in collaboration with Anglo-Swedish watchmaker, Larsson & Jennings. The balm acts as a nourishing treatment for the Swedish and British leathers used throughout the collection.

Our long time collaborator Filippa K strives to achieve sustainability and we are happy to take part. Together with Filippa K we have developed a fine wash detergent and fabric care rinse. Now you can also find our care guides online.

We have launched four new fragrances of organic soap. The four new fragrances, sugar, cedar, clover and kiyomi, have been interpreted by artist Åsa Stenerhag, resulting in 100 unique soap boxes. Available in selected stores February 2019.

We are honored to be featured in Made – a quarterly publication from New York based Made Publishers that documents the workings of the modern maker.

In her atelier in the attic of a block of flats on Kungsholmen, Meta Isæus-Berlin is busy putting the finishing touches to her coming exhibition. Leaning against the walls are gigantic canvases filled with her very distinctive painting, with its sensually organic forms. However, it wasn’t her painting but her installation art that made Meta Isæus-Berlin one of Sweden’s hottest names in the art world of the 90s.

During her twenty-odd-year career, Anneè Olofsson has created imagery drawing upon our worst fears. In order to stage-manage thoughts on ageing, mortality, and molestation – thoughts that interest her – she has cast herself, as well as her parents, in all this. But what happens when life catches up on art? One year ago Olofsson’s father passed away and death experienced only through role-play suddenly became very real.